{"id":18645,"date":"2026-04-04T00:11:02","date_gmt":"2026-04-03T21:11:02","guid":{"rendered":"https:\/\/urbaneye.ro\/?post_type=film&#038;p=18645"},"modified":"2026-04-04T00:26:33","modified_gmt":"2026-04-03T21:26:33","slug":"a-gentle-pressure","status":"publish","type":"film","link":"https:\/\/urbaneye.ro\/en\/films\/a-gentle-pressure\/","title":{"rendered":"A Gentle Pressure"},"content":{"rendered":"<p data-start=\"53\" data-end=\"440\">At the end of the 1960s, the young Belgian architect A.J. Lode Janssens built an experimental, inflatable home for his family. Using materials and technologies that had only just been developed, Lode Janssens explored timeless ideas about the essence of a house. The film is a portrait of an architect who was always open to experimentation and remained optimistic throughout his life.<\/p>\n<p data-start=\"442\" data-end=\"537\" data-is-only-node=\"\">The film is screened alongside <a href=\"https:\/\/urbaneye.ro\/en\/films\/lost-silverfish-of-berlin\/\">Lost Silverfish of Berlin<\/a><em data-start=\"473\" data-end=\"534\">.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At the end of the 1960s, the young Belgian architect A.J. Lode Janssens built an experimental, inflatable home for his family. Using materials and technologies that had only just been developed, Lode Janssens explored timeless ideas about the essence of a house. The film is a portrait of an architect who was always open to [&hellip;]<\/p>\n","protected":false},"featured_media":18357,"menu_order":0,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"_uag_custom_page_level_css":""},"film_section":[],"class_list":["post-18645","film","type-film","status-publish","has-post-thumbnail","hentry"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/urbaneye.ro\/wp-content\/uploads\/2026\/03\/Facebook-Event-1.png",1920,1005,false],"thumbnail":["https:\/\/urbaneye.ro\/wp-content\/uploads\/2026\/03\/Facebook-Event-1-150x150.png",150,150,true],"medium":["https:\/\/urbaneye.ro\/wp-content\/uploads\/2026\/03\/Facebook-Event-1-300x157.png",300,157,true],"medium_large":["https:\/\/urbaneye.ro\/wp-content\/uploads\/2026\/03\/Facebook-Event-1-768x402.png",768,402,true],"large":["https:\/\/urbaneye.ro\/wp-content\/uploads\/2026\/03\/Facebook-Event-1-1024x536.png",1024,536,true],"1536x1536":["https:\/\/urbaneye.ro\/wp-content\/uploads\/2026\/03\/Facebook-Event-1-1536x804.png",1536,804,true],"2048x2048":["https:\/\/urbaneye.ro\/wp-content\/uploads\/2026\/03\/Facebook-Event-1.png",1920,1005,false]},"uagb_author_info":{"display_name":"Monica Sebestyen","author_link":"https:\/\/urbaneye.ro\/en\/author\/"},"uagb_comment_info":0,"uagb_excerpt":"At the end of the 1960s, the young Belgian architect A.J. Lode Janssens built an experimental, inflatable home for his family. Using materials and technologies that had only just been developed, Lode Janssens explored timeless ideas about the essence of a house. The film is a portrait of an architect who was always open to&hellip;","_links":{"self":[{"href":"https:\/\/urbaneye.ro\/en\/wp-json\/wp\/v2\/film\/18645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/urbaneye.ro\/en\/wp-json\/wp\/v2\/film"}],"about":[{"href":"https:\/\/urbaneye.ro\/en\/wp-json\/wp\/v2\/types\/film"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/urbaneye.ro\/en\/wp-json\/wp\/v2\/media\/18357"}],"wp:attachment":[{"href":"https:\/\/urbaneye.ro\/en\/wp-json\/wp\/v2\/media?parent=18645"}],"wp:term":[{"taxonomy":"film_section","embeddable":true,"href":"https:\/\/urbaneye.ro\/en\/wp-json\/wp\/v2\/film_section?post=18645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}